SNAKE EYES AND CHARLIE KIRK

The Mind-Boggling Links Between the Movie “Snake Eyes” and Charlie Kirk’s Death

In “Snake Eyes,” a political figure named Charles Kirkland gets shot in the neck by a sniper during a public event on exactly September 10th. This is only the beginning of the mind-boggling links between this 1998 movie and the assassination of Charlie Kirk.

Like countless other high-profile assassinations, the death of Charlie Kirk was immediately followed by a slew of conspiracy theories. While some stemmed from alternative video angles and others from his recent political stances, all of them point to shady forces working in the background to carry out his assassination while using a patsy as the scapegoat.

This is precisely what Snake Eyes is about. Created by legendary filmmaker Brian dePalma, the 1998 movie outlines the massive conspiracy behind an assassination that was supposedly carried out by the proverbial “lone nut.”

That said, watching this movie after Kirk’s death is a mind-boggling experience. The parallels and “coincidences” between Charlie Kirk and Snake Eyes are so strange that one wonders if the movie was a “script” for future events.

Several observers have already noted that the political figure assassinated in Snake Eyes is named Charles Kirkland, which sounds exactly like the “serious” version of the name Charlie Kirk. Now, add the fact that Kirkland was shot in the neck, and you’ve got the elements for a perfect conspiracy TikTok video.

But there is so much more to this. Snake Eyes is not a movie that happens to contain strange coincidences: It is a behind-the-scenes exposition on how carefully choreographed assassinations get carried out in public spaces. While the movie is extremely “Hollywoodized,” it contains the core elements of black ops missions: shady agents, controlled patsies, media collaboration, and the systematic elimination of any element that might expose the conspiracy.

While Snake Eyes is sadly relevant to multiple attacks that occurred in the past years, it synchronizes with the murder of Charlie Kirk to an eerie degree.

And these “coincidences” begin with the poster itself.

The movie poster tells you to “Believe everything but your eyes.” But it also tells you to “Watch closely. ” That said, notice Nicolas Cage’s hands.

This picture of Trump and Musk discussing at Charlie Kirk’s memorial went viral due to their hand positioning, which some call the “pyramid sign.”

Alright, this might be a coincidence. But, as soon as the movie begins, about 10 other “coincidences” slap you in the face, and you start to wonder if you’re actually watching “entertainment.”
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The movie’s bizarre links with Charlie Kirk start on the movie’s very first frame.

A billboard advertises the upcoming boxing fight that’ll be the site of the assassination of Charles Kirkland.

There’s already a lot to unpack here. First, the fight (and the assassination) takes place on September 10th, exactly the date of Charlie Kirk’s death. The star boxer is dubbed “Tyler the Executioner.” The name of Kirk’s “executioner”: Tyler Robinson. We’re one second in the movie, and the coincidences are already piling up.

Then, the camera pans down to a news reporter.

A reporter announces the coming of Hurricane Jezebel.

The name of this hurricane invokes specific concepts. In the Bible, Jezebel was the name of a queen who incited her husband, King Ahab, to abandon God and to turn to the worship of Baal in his kingdom. That worship required ritual sacrifices to Baal. In the context of the movie, the name of the hurricane (whose presence is felt throughout the film) foreshadows the coming of a “sacrifice.”

Strangely enough, Charlie Kirk’s death was also foreshadowed by … Jezebel.

Two days before his death, the site Jezebel paid witches to curse Charlie Kirk.

Inside the stadium, a flamboyant Atlantic City detective named Rick Santoro (played by Nicolas Cage) attends the fight. He meets with his childhood friend Kevin Dunne, a U.S. Navy Commander working with the Department of Defense. However, Dunne is not there as a boxing fan; he’s in charge of protecting Defense Secretary Charles Kirkland.

Dunne tells Santoro that Kirland is “high profile” and that “he brings the nutcases out of the woodwork.” Kind of like Charlie Kirk.

When the fight starts, the camera focuses on various things and people that, at first glance, seem inconspicuous. However, as the story unfolds, we discover that some details are part of an elaborate murder conspiracy.

During the fight, Dunne is “distracted” by a lady who happens to be very red. So he leaves his seat and talks to her.

The lady in red walks away from Dunne, who follows her to, coincidentally, the shooter’s hiding spot. But there is no coincidence there. The lady in red is actually part of Dunne’s unit, and it is all a setup. Her role is to give Dunne an excuse to leave his position.

There’s some strange ritualistic symbolism surrounding this lady. As seen in previous articles, red is the color of blood sacrifice in occult circles. Also, she wears a ring with a massive red ruby stone. Right before the shooting, the stone emits a strange glow. We will later see how this subtle detail is significant.

Meanwhile, Santoro is oblivious to what is taking shape around him.

By leaving his seat, Dunne leaves Charles Kirkland (who is sitting right behind him) unprotected.

Then, a strange, long-haired man starts yelling “Here comes the pain” repeatedly.

We later learn that this guy is in on the hit. His screaming “Here comes the pain” signals the boxer to dive, which causes a distraction, after which a sniper shoots Charles Kirkland.

Look at his guy’s face. Now, here’s a picture taken immediately after the shooting of Charlie Kirk.

Immediately after Charlie Kirk was shot, while everyone else ducked down in terror and confusion, this strange man got up, looked towards the shooter, and started to chant “USA! USA!”

As my article about Kirk explained, everything about him is odd, and he reacted as if he knew that the hit was coming. Mind-boggling fact: He looks suspiciously like the yelling man in Snake Eyes.

Both the lady in red and the yelling guy are agents working for Dunne. Both will be killed and discreetly disposed of because Santoro was on to them.

So, after the yelling man’s signal, shots are fired.

Charles Kirkland is shot by a sniper from about 200 yards, right in the neck … exactly like Charlie Kirk.

The movie mentions several times that Kirkland was shot in the neck. It is a defining detail that bizarrely applies to Charlie Kirk as well.

As the shots rang out, Santoro scanned the area from which the sounds came. The symbolism is telling.

A blimp adorned with a massive all-seeing eye floats right above the shooter’s location. Was this a symbolic way of conveying that the elite sponsored the murder?

Later in the movie, we learn that the blimp is called the “Zero Gravity Flying Eye.” It contained a camera that filmed proof that Dunne was in cahoots with the shooter.

Of course, Dunne got hold of the incriminating tape and erased it.

There’s a good reason for deleting this tape. It filmed Dunnes speaking with the patsy before the hit and killing him right after. Then, Dunne planted a letter on his body.

Dunnes gives the “terrorist” instructions before the hit. Notice his blue ring. It bizarrely glows right before the hit. What do these rings signify? We’ll get a hint at the very end of the movie.

After “heroically” killing the patsy, Dunnes plants an envelope that contains a fake suicide note detailing the terrorist’s motivations.

As in real life, the media was utilised to propagate the fake “motivations” of the shooter.

During a newscast, Dunne reveals the shooter’s identity and explains his political motives.

Dunne says:

“A Palestinian who’s lived in the United States for the last six years. He’s believed to be linked to a series of threatning letters written to various defense secretaries over the sale of missile systems and other weaponry to Israel. A handwritten note was found on Rabat’s body. Apparently, he intended it to be found after the shooting.”

In short, the assassination was pinned on the classic “lone nut” who is obsessed with a specific cause. Later, Dunne describes the shooter as a “well-known nutcase.”

Once again, it is difficult not to see links with Charlie Kirk’s assassin, who was said to be obsessed with specific political causes to the point of committing murder over them.

Gilbert Powell, the mogul who secretly spearheaded the assassination over a massive weapons contract, addresses the nation.

Powell says:

“At this time, I’d like to extend my deepest sympathies to the Secretary’s family, the nation, and the people he so faithfully and proudly served. To those that would try to bully or terrorize us, to divert us from the causes of peace and justice, I want you to know that, despite what’s happened here tonight, we are not deterred.”

In the wake of Charlie Kirk’s murder, we’ve heard speeches from the political class that are strikingly similar.

The rest of the movie plays out in a standard Hollywood way, with the culprits exposed by detective Santoro and the system undergoing big reforms. However, despite his heroics, Santoro does not have the happiest of endings. The press exposes his past corruption, leading him to lose his job, his family, and his mistress. He also has to go to prison for 18 months.

That’s the price of exposing elite corruption.

In the movie’s final scene, workers rebuild the arena damaged by Hurricane Jezebel. This slow-paced and drawn-out scene ends in an enigmatic way.

The camera slowly closes on the hand of a worker holding a pillar. In this shot, we also learn that some scenes were filmed in the Trump Taj Mahal—yet another strange Charlie Kirk-related coincidence.

When the worker removes his hand, we see the lady in red’s ruby stone embedded in the concrete. At the very last second, it glows eerily.

This last scene is telling yet unsettling. It implies that the stone was “harvested” from the lady’s body and kept aside to be embedded in the new Powell area as some sort of “offering.” The scene gives a ritualistic and sacrificial dimension to the assassination and its casualties, hinting at a greater occult power at work beyond mere politics. Jezebel promoted the worship of Baal, and it seems like he got the sacrifice he required.

Another strange detail: Dunne had a blue ring that emitted a glow at a significant moment. Are we being told that these ritualistic killings are carried out at levels that go way beyond Red versus Blue politics?

In Conclusion

While conspiracy theories pointing to coincidences between movies and real-life events are sometimes far-fetched, the links between Snake Eyes and Charlie Kirk’s death are astonishing: the victim is called Charles Kirkland, he was shot in the neck by a sniper hidden far away on and it all happened on September 10th.

That said, those links do not occur in a movie that otherwise has nothing to do with Kirk. Snake Eyes is all about dissecting, through numerous viewpoints, the making of a high-profile assassination. Using agents scattered in the crowd and a patsy with fabricated “motivations,” the powers that be then utilise the media to propagate a specific narrative.

In other words, Snake Eyes provides the basic script around which false flag operations are planned and executed. While, in these treacherous times, it is difficult to distinguish authentic events from full-on conspiracies, Charlie Kirk’s assassination followed the movie’s script to a mind-boggling degree.

What kind of sorcery can lead to such a situation? Maybe one that involves a curse by Jezebel.

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